C-23/77
ECLI:EU:C:1977:171
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JUDGMENT OF THE COURT (SECOND CHAMBER) 27 OCTOBER 1977 1
Westfälischer Kunstverein v Hauptzollamt Münster
(preliminary ruling requested by the Finanzgericht Münster)
Case 23/77
1. Common Customs Tariff — Artistic printed matter — Classification —
Subheading 49.11 B — Residual nature
2. Common Customs Tariff — Works of art, collector's pieces, and antiques —
Printed products — Classification — Tariff heading 99.02 — Condition
3. Common Customs Tariff — Printed products — Artistic screen prints —
Classification — Subheading 49.11 B
1. Both the wording and the general be original works and the method of
scheme of Chapter 49 of the their production must not involve any Common Customs Tariff show that mechanical or photomechanical
subheading 49.11 B is a residual process.
heading which covers all artistic 3. Artistic screen prints fall within
printed matter not listed or referred to subheading 49.11 B of the Common elsewhere. Customs Tariff, even if they are signed 2. In order to be classified under tariff by hand by the artist and if only a
heading 99.02, printed products must limited edition is produced.
In Case 23/77
Reference to the Court under Article 177 of the EEC Treaty by the IVth Senate of the Finanzgericht Münster, for a preliminary ruling in the action
between pending before that court
WESTFÄLISCHER Kunstverein , Münster,
and
Hauptzollamt Munster
interpretation of tariff subheading 49.11 B and of on the heading 99.02 of the
Common Customs Tariff,
I — Language of the Case: German.
JUDGMENT OF 27. 10. 1977 - CASE 23/77
THE COURT (Second Chamber)
composed of: P. Pescatore, Acting President of the Second Chamber, Lord Mackenzie Stuart and A. Touffait, Judges,
Advocate General: G. Reischl Registrar: A. Van Houtte
gives the following
JUDGMENT
Facts and issues
The facts of the action, the procedure 3. The plaintiff considered that the
and the observations submitted under articles in dispute fell within tariff
Article 20 of the Protocol on the Statute heading 99.02 ('Original engravings, of the Court of Justice of the EEC may prints and lithographs) of the Common be summarized as follows: Customs Tariff and could therefore be imported without payment of customs
duties and at a rate of import turnover I — Facts and procedure tax of 5-5 %.
1. At the request of the Westfäli 4. Having unsuccessfully entered an scher Kunstverein (The Westphalian Association for the Promotion of the objection to the classification decision, the applicant lodged an application with Arts), the plaintiff in the main action, the the Finanzgericht (Finance Court) customs office, Münster, being one of the Munster with a view to the customs offices coming under the obtaining classification of the screen prints under Hauptzollamt (Principal Customs Office) Münster, the defendant in the main tariff heading 99.02. action, cleared into free circulation on 14 5. The Finanzgericht Münster con March 1973 150 colour screen prints sidered that the settlement of the action (colour serigraphs) imported from the depended on the interpretation of the United States and numbered and signed provisions of the Common Customs by the American artist, John Salt Tariff and, by order of 19 January 1977, 2. After the customs office, Münster, stayed the proceedings and referred the
had classified the screen prints under following question to the Court of
tariff subheading 49.1 B (Other printed Justice for a preliminary ruling:
matter, including printed pictures and
photographs') of the Common Customs 'On 14 March 1973 did a limited edition
Tariff, it levied, by means of notice of of not more than 150 artistic colour
assessment, customs duty at the rate of screen prints (colour serigraphs) 9 % and import turnover tax at the rate numbered and signed by the artist fall of 11 %. within tariff subheading 49.11 B or
KUNSTVEREIN v HAUPTZOLLAMT MUNSTER
heading 99.02 of the Common Customs recognized by the competent art-dealing Tariff?' circles and by using it to form the substance of Rule 2 on Chapter 99. It is 6. Upon hearing the report of the self-evident that an artistic concept fixed 'valid'
Judge-Rapporteur and the views of the for legal purposes and at a specific
Advocate General, the Court decided to period lags inevitably behind the
open the oral procedure without holding dynamic development of new trends and any preparatory inquiry. forms of artistic expression. That does not, however, alter the fact that the
7. Written observations were submitted provisions of the Common Customs
by the Commission of the European Tariff must be applied as they are found, Communities in accordance with Article without prejudice to the need to carry 20 of the Protocol on the Statute of the out amendments and adjustments as and
Court of Justice. when necessary.
The Council of the European II — Observations submitted Communities had drawn the con
under Article 20 of the sequences of the particular artistic value
Protocol on the Statute of of colour screen prints in 1974 when it the Court of Justice of the adopted Regulation (EEC) No 1616/74 EEC (OJ L 174 of 25 June 1974,p. 5) by which the rate of customs duty in force Observations of the Commission at that period was reduced to nil.
A —
Preliminary general observation In order to classify products such as
those at issue in this instance, it is The Commission observes that the action therefore necessary to take account of the concerns the distinction between two letter, the objective and the general
headings in the Common Customs scheme of the provisions of the
Tariff, one of which, subheading 49.11 B, Common Customs Tariff. falls within the general category of Since it considers that the method of 'pictures and other products of the industry' production of the products in dispute is printing and the other, heading important for the purposes of their 99.02, is governed by the concept 'works customs classification, the Commission of art'. gives a description of the process by which a screen print is obtained. As regards the question which articles are to be considered as 'works of art' as Screen is process printing a printing opposed to ordinary commercial which uses a printed matrix made of a products, the Commission emphasizes a special gauze of natural (silk) or synthetic difficulty which arises from the fact that (nylon, etc.) fibres or of wire thread the concept of art is defined essentially (stainless steel etc.) stretched on a frame by reference to subjective criteria, of wood or metal. There are two stages although thevery aim of the Common to the printing process: first, the Customs Tariff implies recourse to preparation of the screen, that is, the objective criteria. As regards the section transfer'
on to the screen of the original
dealing with 'Original engravings, prints lithographs' design to be reproduced (preparation of and the Common Customs the printing frame) and, secondly, its Tariff achieves the objectification reproduction on to the printing surface
necessary for reasons of legal certainty (printing). and practicability (in heading 99.02) by adopting as an objective criterion of The preparation of the printing frame is classification a definition established and the most important stage in the
JUDGMENT OF 27. 10. 1977 - CASE 23/77
production of a screen print. Various Since artistic colour screen prints are
processes are employed, particularly in obtained by a printing process it might, the case of artistic screen prints (for at least in principle, be accepted that
example, for the reproduction of full they fall within tariff subheading 49.11 B. colour or of very detailed drawings).
However, in accordance with General The screen isby hand (for prepared Rule No 3 (a) for the interpretation of example, by cutting out or by means of a the Common the nomenclature of photomechanical process), the mesh of Customs Tariff, according to which 'the the screen material being covered by a most specific description', shall be varnish which prevents the colour preferred to 'headings providing a more
passing through the screen at the spots general description', it is first necessary where the printing surface is not to be to consider whether there are not marked and remaining unvarnished in particular rules which require screen 'design'
the areas corresponding to the to prints to be classified under a specific be reproduced. The chosen printing tariff heading. On that point Note 1 (c) surface is placed under the screen 'block.
to Chapter 49 states that 'Original The colour poured on to the screen is engravings, prints or lithographs (heading pressed by means of a scraper through 99.02) or other articles falling within ...
the unvarnished mesh on to the 99'
printing any heading in Chapter are not surface. That operation, carried out either covered by Chapter 49. The Commission
mechanically or by hand, is repeated as therefore maintains that it is necessary to many times as there are printing surfaces 'original' consider whether artistic screen prints are to be printed or colours of the articles falling within any heading in to be reproduced. Chapter 99'. An affirmative reply would
alone allow classification under Highly-developed and entirely automatic subheading 49.1 B to be ruled out. machines exist which enable several
thousand screen prints to be obtained per The Commission emphasizes that there hour. can also be no applying question of
General Rule No 4 for the interpretation Screen prints are used primarily in of the nomenclature of the Common industry, in the graphic arts and in other Customs Tariff to the artistic screen artistic printed products. The so-called ' prints and of classifying them under 'the 'artistic screen print normally forms the subject of limited editions of a few heading appropriate to the goods to
hundred The which they are most akin'. This rule in copies at the most. prints fact covers the case of a product 'not are all numbered and signed personally by the artist. falling within any heading of the Tariff. Subheading 49.11 B covers all artistic B The distinction between printed matter, that is, including screen — tariff prints. The only problem to be solved is, subheading 49.11 B and tariff therefore, whether a specific rule heading 99.02 (heading 99.02) precludes the application of the general rule (subheading 49.1 B). Tariff subheading 49.11 B is a general
covering all 'other printed subheading matter. To some extent it constitutes a It therefore remains to be decided residual subheading, intended to cover all whether artistic colour screen prints fall the (special) artistic printed matter not within the products covered by tariff
listed or referred to elsewhere. That is heading 99.02, that is, whether they may confirmed by the General Explanatory be regarded as 'Original engravings, Note to Chapter 49 in the Explanatory prints and lithographs', which are
Notes to the Brussels Nomenclature. defined by Note 2 to Chapter 99 as
KUNSTVEREIN » HAUPTZOLLAMT MUNSTER
'impressions produced directly, in black within any of the three categories listed and white or in colour, of one or of and cannot therefore be assigned to
several plates wholly executed by hand heading 99.02 even if, from the artistic
by the artist, irrespective of the process point of view, they may be regarded as
or of the material employed by him, similar to the products falling within that but not including any mechanical or heading. photomechanical process'. The Commission considers, therefore, In the opinion of the Commission two that it is the general rule, that is to say, typical criteria decisive for tariff 49.1 B, which must apply to subheading classification may be derived from the the articles in question.
wording of heading 99.02: that of
originality and that based on the precise C — Conclusion limits of any interpretation fixed by the in The Commission proposes that the wording of that tariff heading, conjunction with Note 2 to Chapter 99. following reply be given to the question raised: As regards artistic colour screen prints
Artistic signed by the artist numbered and signed by the artist screen prints
himself, the criterion of originality raises and produced in a limited edition of 150 complicated questions of a copies fall within subheading 49.11 B of extremely technical nature. The Commission the Common Customs Tariff.
considers, however, that it is unnecessary to pursue the examination of that
question, since classification of the III — Oral procedure
screen prints under heading 99.02 is ruled out for other reasons. The Commission of the European Communities, represented by its Agent, As regards the second criterion, only Jean Amphoux, and assisted by Manfred printed products falling within one of Beschel, a member of the Legal De the three categories listed therein may be partment of the Commission, submitted classified under heading 99.02. Colour oral observations at the hearing on 7 July screen prints are not produced 'of one or 1977. of several plates wholly executed by hand by the artist'; the processes by which The Advocate General delivered his they are obtained are in part mechanical opinion at the hearing on 6 October or photomechanical. They do not fall 1977.
Decision
1 By order of 19 January 1977, received at the Court on 11 February 1977, the Finanzgericht Munster referred to the Court the following question for a
preliminary ruling in accordance with Article 177 of the EEC Treaty:
'On 14 March 1973 did a limited edition of not more than 150 artistic colour screen prints (colour serigraphs) numbered and signed personally by the artist fall within tariff 49.11 B or tariff heading 99.02 of the Common subheading Tariff?'
Customs
JUDGMENT OP 27. 10. 1977 - CASE 25/77
2 That question arose within the context of an action concerning the tariff
classification of ISO artistic screen prints, numbered and signed by the artist, imported from the United States into the Federal Republic of Germany and cleared into free circulation on 14 March 1973.
The customs authorities classified those articles under subheading 49.11 B ('Other printed matter including printed pictures and photographs: ... B.
Other') of the Common Custom Tariff.
The importer contests this classification and maintains that the articles in dispute fall within tariff heading 99.02 ('Original engravings, prints and
lithographs').
3 The action therefore concerns the distinction between two headings in the
Common Customs Tariff, one of which, subheading 49.11 B, falls within the
general category 'Printed books, newspapers, pictures and other products of
printing industry; manuscripts, typescripts and (Chapter plans'
the 49) while the other, heading 99.02, is covered by the concept of 'Works of art, (Chapter 99). collectors' antiques'
pieces, and
That distinction cannot be based on the possible artistic merit of the
aforementioned articles, something is defined essentially by reference which
to subjective and indeterminate criteria, but must be founded on the objective
criteria adopted by the Common Customs Tariff for the purposes both of its effective operation and of legal certainty.
4 The file shows that screen printing is a printing process which is at least
partly mechanical or photomechanical in nature.
Although the process in question enables an unlimited number of 'artistic'
reproductions to be obtained, the so-called screen print is normally produced in limited editions of a few hundred copies at the most.
5 Both the wording and the general scheme of Chapter 49 of the Common Customs Tariff show that subheading 49.11 B is a residual heading which covers all artistic printed matter not listed or referred to elsewhere.
That finding is confirmed by the Explanatory Notes to the Brussels Nomenclature in the General Explanatory Note to Chapter 49, which states that:
'printed'
'For the purpose of this Chapter, the term includes not only reproduction by the several methods of ordinary hand and mechanical
printing (lithography, off-set printing, heliography, photogravure, etc.), but
KUNSTVEREIN v HAUPTZOLLAMT MUNSTER
also by engraving, reproduction by duplicating machines, embossing,
photography, etc., irrespective of the form of the characters in which the
printing is executed (e.g., letters of any alphabet, figures, shorthand signs, Morse or other code symbols, Braille characters, musical notations, pictures and diagrams)'.
As artistic screen prints are produced by a printing process it must be possible for them to fall within subheading 49.1 B.
For that reason it is not possible to apply General Rule No 4 for the
interpretation of the nomenclature of the Common Customs Tariff, according to which goods not falling within any heading of the Tariff shall be classified under the heading appropriate to the goods to which they are most askin.
6 General Rule No 3 (a) provides, however, that 'the heading which provides description'
the most specific shall be preferred to 'headings providing a more general description'.
It is therefore necessary to consider whether there are not any particular rules which require artistic screen prints to be classified under a special heading.
7 Under the terms of (c) to Chapter 49 'Original engravings, prints or Note 1 lithographs (heading 99.02) or other articles falling within any heading in ...
99'
Chapter are not covered by Chapter 49.
As heading 99.02 constitutes a specific heading as compared to subheading 49.1 B, it is necessary to consider whether artistic screen prints are governed by heading 99.02, in other words, whether they may be regarded as 'Original engravings, prints and lithographs', which are defined by Note 2 to Chapter 99 as:
'impressions produced directly, in black and white or in colour, of one or of several plates wholly executed by hand by the artist, irrespective of the process or of the material employed by him, but not including any mechanical or photomechanical process'.
8 It emerges from the wording of heading 99.02 together with Note 2 to
Chapter 99 that in order to be classified under heading 99.02, printed
products must fall within one of the three categories referred to therein, which means, in particular, that they must be original works and that the
method of their production must be in accordance with the requirements of
that note.
JUDGMENT OF 27. 10. 1977 - CASE 23/77
As the processes used in the production of artistic screen prints are, as has
previously been stated, partly mechanical or photomechanical in nature, such
prints are not produced 'of one or of several plates wholly executed by hand by the artist'.
Since that fact is in itself sufficient to rule out the classification of the articles in dispute under heading 99.02 and therefore requires them to be classified under subheading 49.1 B, it is unnecessary to consider whether they satisfy the criterion of originality.
9 For those reasons the answer to the question referred must be that artistic
screen prints fall within subheading 49.11 B of the Common Customs Tariff,
even if they are signed by hand by the artist and produced only in a limited edition.
Costs
10 The costs incurred by the Commission of the European Communities, which has submitted observations to the Court, are not recoverable.
As these proceedings are, in so far as the parties to the main action are
concerned, in the nature of a step in the action pending before the national
court, the decision on costs is a matter for that court.
On those grounds,
THE COURT (Second Chamber)
in answer to the question referred to it by the Finanzgericht Munster by order of 19 January 1977, hereby rules:
Artistic screen prints fall within subheading 49.11 B of the
Common Customs Tariff, even if they are signed by hand by the
artist and if only a limited edition is produced.
Pescatore Mackenzie Stuart Touffait
Delivered in open court in Luxembourg on 27 October 1977.
A. Van Houtte P. Pescatore
Registrar Acting President of the Second Chamber