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Súdny dvor Európskej únie·29.11.1988

C-291/87

ECLI:EU:C:1988:516

Súd
Súdny dvor Európskej únie
IČS
61987CC0291

OPINION OF MR VAN GERVEN —CASE 291/87

O P I N I O N OF M R ADVOCATE GENERAL VAN GERVEN delivered on 29 November 1988 *

Mr President, Bruni with the following features: Members of the Court,

(i) the lithographs were executed by means 1. The Hessische Finanzgericht has of a mechanical press; requested a preliminary ruling on the inter- pretation of Heading 99.02, or more particularly the expression 'original litho- graphs' in the Annex to Regulation No 950/68 of the Council of 28 June 1968 on the Common Customs Tariff. (ii) they were executed by means of a transfer process enabling a 'multiple print' to be obtained;

Note 2 to Chapter 99, 'Works of art, collectors' pieces and antiques', defines Heading 99.02 as follows: (iii) a large number were printed (8 400 and 4 500 copies respectively);

'For the purposes of Heading 99.02, the expression "original engravings, prints and lithographs" means impressions produced (iv) they were not signed; directly, in black and white or in colour, of one or of several plates wholly executed by hand by the artist, irrespective of the (v) they were not numbered. process or of the material employed by him, but not including any mechanical or photo- mechanical process.'

Volker Huber described the lithographs as 'original lithographs' falling under Heading 99.02. Articles falling under that heading are Background exempt from customs duties.

2. The undertaking Volker Huber delivered to the Hauptzollamt Frankfurt am Main The Hauptzollamt Frankfurt am Main 10 000 lithographs printed from two plates classified the goods under Heading 49.11 executed by hand by the Italian artist Bruno (Other printed matter, including printed

* Translated from the Dutch.

HUBER ν HAUPTZOLLAMT FRANKFURT AM MAIN-FLUGHAFEN

pictures and photographs) for which There are practical difficulties in the way of customs duties are payable. a strict interpretation of the relevant provisions. There are also differences between the various language versions of the provisions. I shall return to that in section 4. Volker Huber challenged the decision before the Hessiches Finanzgericht. After first obtaining an expert opinion on the manner in which the lithographs at issue were executed the Finanzgericht referred In addition, neither the two main inter­ three questions to the Court which may be national conventions on copyright 1nor the summarized as follows: legislation of the Member States give a uniform definition of the term `original lithographs'. From the information supplied to the Court it appears that academic writers themselves are divided about the (1) Are they still `original lithographs' when scope of the term. they have been printed by a mechanical process?

Finally, the Court has not yet given a specific ruling on the question. It is true that in the judgment of 27 October 1977 in Case (2) If so, are they still 'original lithographs' 23/77 (Westfälischer Kunstverein ν Haupt­ if a transfer process has been used in zollamt Minstre [1977] ECR 1985) the order to obtain a multiple print? Court considered the question whether screen prints could be regarded as original lithographs within the meaning of Heading 99.02 of the Common Customs Tariff. (3) Is the number of impressions relevant in However, it did not consider at the time the interpreting the term `original litho­ question whether such screen prints were graphs'? original works of art. It decided that in the absence of express mention in Chapter 99, concerning works of art, such articles fell within the scope of Chapter 49, which concerns prints. In the course of the proceedings, written observations have been lodged by Volker Huber and the Commission of the European Communities. There is, however, an essential factor in the case which no one has challenged : the litho­ graphs have been printed from an original drawing made by hand by an Italian artist. No obvious answer They are therefore not reproductions of a work previously created, in which case the lithographs might be regarded as 'pictures

1 — Berne Convention for the Protection of Literary and 3. There is no obvious answer to the Artistic Works of 9 September 1886 (amended) and Universal Copyright Convention of 6 September 1952 questions. (amended).

OPINION OF MR VAN GERVEN —CASE 291/87

and other products of the printing industry' than as meaning that lithographs printed within the meaning of Chapter 49 of the mechanically are not original. Common Customs Tariff. They are more than that. The parties recognize that the lithographic plate, or more correctly the transfer paper used to execute the plate, is an original, that is to say a work of art created specially for printing lithographs. It seems to me, however, that the circum- The only point at issue is whether the stances do not permit a conclusion to be process used to make the lithographs from based solely on a strict interpretation of the work still allows the lithographs to be most of the language versions of the regarded as Original' and if so up to what provision at issue. In that respect the number. following considerations seem relevant:

First question: is mechanical printing (i) a literal interpretation would be un- permissible? reasonable since printing almost always implies the use of some kind of mechanical process;

4. The first question put to the Court is essentially whether they are still Original lithographs' within the meaning of Heading (ii) Volker Huber states that there is no 99.02 of the Common Customs Tariff where photomechanical printing process. On the printing is by a mechanical process, as in the other hand there are photomech- the present case. anical processes for making plates;

The Commission rightly observed that if the (iii) the wording of Note 2 to Chapter 99 majority of the language versions of the has its origin in the 1949 Brussels wording of Note 2 to Chapter 99 were Nomenclature, which was itself drafted interpreted literally the answer to that on the basis of the definition given in question would be in the negative. The 1937 by the Comité national français German and English versions leave no room de la gravure (Dünnebier: Bruchmanns for doubt in that respect. The Dutch version Handbuch der modernen Druckgraphik, is very explicit: ' . . . ongeacht het materiaal Munich, 1973, p. 114). That expressly waarop het afdrukken is geschied en states that it is not the impressions but ongeacht de gevolgde techniek, met uitzon- the plates which must be entirely made dering van de mechanische en van de foto- by hand if the products are to be mechanische reproduktietechniek'. Because regarded as original lithographs. That of the repetition of the word 'techniek' the shows in addition that it is the French wording cannot be interpreted otherwise version which served as the model for

HUBER ν HAUPTZOLLAMT FRANKFURT AM MAIN-FLUGHAFEN

the wording of Note 2 to Chapter 99 literal interpretation of the wording, it is and it is precisely the French version nevertheless generally accepted that the which may be interpreted as meaning artist is not required to execute his drawing that the exclusion of the use of directly onto the plate. The Explanatory mechanical and photomechanical Notes on the Nomenclature of the Customs processes relates to the execution of the Cooperation Council authorized the use of plates themselves and not the printing transfer paper. The drawing made on the of the lithographs from them. paper is then transferred to the lithographic plate by a chemical process. Strictly speaking the technique does not involve a 'plate wholly executed by hand'.

For those reasons it seems to me that Note 2 to Chapter 99 must be interpreted as meaning that the exclusion of mechanical processes concerns the making of the plates In the case of the technique used in the and not the printing of the lithographs. Any present case the separation between the other decision would restrict the scope of handwork of the artist and the plates from the term 'original lithographs' drastically which the lithographs are produced is even and would be incompatible with established greater. It is true that the first lithographs techniques. I therefore consider that mech­ have been produced in the same way as anically printed lithographs cannot be when transfer paper is used, namely by excluded on those grounds from the scope transferring the drawing made on the paper of Heading 99.02 of the Common Customs to the lithographic plate, but once the first Tariff. plate show marks of wear a fresh transfer paper is automatically made and used in turn for making a new plate.

Second question: is a transfer process allowing 'multiple lithographs' acceptable? Both Volker Huber and the Commission agree that that technique may be used for making original lithographs. I propose to follow them in that respect.

5. Since the first question has been answered in the affirmative the second question, whether the mechanical printing process used in the present case may be used Since the process using transfer paper is to produce 'original lithographs' within the generally authorized there is no reason for meaning of Heading 99.02 of the Common not also permitting the technique used here Customs Tariff, arises. while leaving the artist to decide whether or not he wishes to use the technique. It seems established that from the point of view of quality there is no difference between litho­ graphs made by means of one or the other According to Note 2 to Chapter 99 of the process. Nor is there any difference in Common Customs Tariff the lithograph substance: in both cases the original must be produced directly from a plate drawing is by hand by the artist. That wholly executed by hand. Contrary to a question, moreover, has a certain similarity

OPINION OF MR VAN GERVEN —CASE 291/87

with the question put to the Court in Case criterion in deciding whether a lithograph is 155/84 (Onnasch ν Hauptzollamt Berlin- original. Packhof [1985] ECR 1449, judgment of 5 May 1985). That case was concerned with the question whether a work of art consisting of a collection of contemporary material might be regarded as 'original sculptures and statuary, in any material'. Departing from a classic interpretation of 7. It does not seem to me desirable for the the term 'sculpture' and following the Court to adopt an interpretation of the term opinion of Mr Advocate General Lenz, the 'original lithographs' based on a quantitative Court held that it was necessary to interpret criterion (the number of impressions) for the term as referring to all three-dimen­ which only a thorough analysis, which sional artistic productions, irrespective of would go beyond the scope of the case with the techniques and materials used. which we are concerned today, could show whether it is compatible with present tech­ niques and concepts. In my opinion it is for the Community legislature to rule on that issue.

Third question: is the number of impressions relevant? For reasons of legal certainty such a quanti­ tative criterion must be fixed precisely in a legal definition indicating the number of impressions and stating any conditions. Naturally any such definition is also exclu­ sively a matter for the Community legis­ lature (see the judgment of 15 July 1970 6. Lastly, the third question raises the issue in Case 41/69 ACF Chemiefarma NV ν whether the number of lithographs Commission [1970] ECR 661, in which the produced from a single original drawing is Court refused to fix a general limitation relevant to classification under Heading period). 99.02 of the Common Customs Tariff.

Since it has been shown in the present case that the wording of Note 2 to Chapter 99 in A restriction on the number of impressions the various language versions is ambiguous is, as the Commission suggests, undoubtedly and, if it is construed literally, inappropriate an important economic criterion. Experts for the techniques in use — it has led to cited by Volker Huber at the hearing whose applications which at first sight seem contra authority cannot be questioned are, legem — that in itself is sufficient to justify however, against the application of that intervention by the legislature.

HUBER ν HAUPTZOLLAMT FRANKFURT AM MAIN-FLUGHAFEN

8. To summarize, I suggest that the Court answer the questions put by the Hessische Finanzgericht as follows:

'(1) Lithographs printed by a mechanical process may be classified under Heading 99.02 of the Common Customs Tariff.

(2) Lithographs made by means of a transfer process involving the making of more than one plate from the original transfer paper may be classified under Heading 99.02 of the Common Customs Tariff.

(3) In the present state of the law the number of impressions does not affect the classification of lithographs under Heading 99.02 of the Common Customs Tariff.'

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